Shlomit Liver’s exhibition is composed of hundreds of small ceramic and porcelain tiles, onto which she draws frames from previous video works—the core of her artistic practice in recent years. Through these tiles, Liver translates the intangible, digital image into a traditional medium with weight, volume, and texture.

The exhibition title, UNDO REDO SAVE, is taken from common editing functions found in computer software. These three commands correspond to three themes explored in the exhibition—regret, materiality, and memory—each reflecting the relationship between digital and physical languages, and between art and life.