The exhibition is a first-time unveiling of segments from a historical, medical, and cultural research project that traces various indications of castration as they appear in socio-political discourse and within the field of Israeli art, examining them across different historical moments.
The intersections and connections formed between the works in the space create an encounter — or perhaps a conflict — that may lead to castration. Will it be decisive? In favor of one side or the other? Will it harm both? Or perhaps liberate?